PDF-Download The Object As Subject: Studies in the Interpretation of Still Life
PDF-Download The Object As Subject: Studies in the Interpretation of Still Life
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The Object As Subject: Studies in the Interpretation of Still Life
PDF-Download The Object As Subject: Studies in the Interpretation of Still Life
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Pressestimmen
"The essays in this volume examine, perceptively and persuasively, how still-life representations spanning 400 years (1560-1960) express the values of their respective societies and individual artists."--Choice
Synopsis
This collection of essays interprets a wide range of still lifes, using diverse current methods, including paleoethnobotanical research (which makes it possible to reconstruct diets), social history, technical examinations, and material culture studies. The essays consider the complex and expressive richness of still life, traditionally considered one of the lesser genres. The introduction provides a historiography of still life with an emphasis on the 20th century. The essays include discussions on the works of Van Gogh, Peto, Wesselman, and Kalf.
Alle Produktbeschreibungen
Produktinformation
Gebundene Ausgabe: 140 Seiten
Verlag: Princeton University Press (1. Juli 1996)
Sprache: Englisch
ISBN-10: 0691033544
ISBN-13: 978-0691033549
Größe und/oder Gewicht:
16,5 x 1,9 x 24,8 cm
Durchschnittliche Kundenbewertung:
Schreiben Sie die erste Bewertung
Amazon Bestseller-Rang:
Nr. 3.079.206 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Editor Anne Lowenthal has gathered five contemporary scholar colleagues to share her volume of essays exploring the meanings of Still Life painting and photography. Now if this sounds like a session of a convention of art educators, you've been there. But don't let the heavily footnoted and bibliographed addenda to these six essays turn you away from exploring the message within. These are six intriguing and illuminating treatises on the concept that Still Life paintings through time have been not the table arrangements of random favorite items of the artists - meaningful to them or just available, studio props - but are icons /social commentary/spiritual statements/economic explorations that open for study the periods of time when the paintings were made. Having absorbed all this information will allow the reader of this volume to really look at Still Life art as guideposts to history. A pear or apple will never be just that again; the Garden of Eden is invoked, or the import and culinary habits of the Netherlands are referenced. van Gogh's arrangements knock on the door of 19th century literature. Peto and Harnett painted "racks" of momentos to entice collectors to buy their art product. None of this breaks the magic of contemplation of this century's old genre of painting. If anything these essays feed our imagination and make our senses more keen for the next visit to a galery or museum to view the timeless little masterpieces that are finding new significance in the world of art appreciation.
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